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Lenses are increasingly stamping out some of the most common technical issues. High-end modern lenses push for sharpness all the way to the corners, all but eliminate aberration, and reduce vignette. But as lenses become more technically correct, the optics also become more sterile. The new Leica Noctilux 50mm f1.2 ASPH is not one of those lenses. A remake of a film lens originally produced in 1966, the lens is nearly identical to the original except for a digital-friendly mount. Leica kept ever...
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